View allAll Photos Tagged connectivity...."-
Network diagram of the data in the brainmaps.org/connectivity2list.php?cmd=reset. Each node is a brain area, with size denoting betweeness centrality and color graph distance from the visual cortex. yEds grouping algorithm has been used to cluster groups of nodes.
The two big orange nodes are claustrum and the reticular nucleus of thalamus. Their cluster contains lots of visual cortex. The cluster below it contains somatosensory cortex, the one to the lower left seems to be motoric, the one above it seems to be secondary somatosensory. The one on top of that (left of the big cluster) seems to be cingulate cortex. This is nicely connected to the medial temporal system, which constitutes the three clusters to the upper left (the right centers on entorhinal cortex, the upper left is dentate gyrus and the lower left is cornu ammonis and subiculum feeding back). The small nodes on top are parasubiculum and presubiculum and area 31, limbic structures that in reality have many more connections.
Overall, I'm pretty impressed by how the clustering manages to get a rough outline of different systems.
Network diagram of the data in the brainmaps.org/connectivity2list.php?cmd=reset. Each node is a brain area, with size denoting betweeness centrality and color graph distance from the visual cortex. yEds grouping algorithm has been used to cluster groups of nodes.
In this network I removed the heavily connected claustrum and reticular nucleus nodes before running clustering. The result is just four big clusters. The right cluster is heavily visual, the lower cluster is somatosensory and motoric, the middle cluster limbic and the left cluster is the hippocampal system.
Running a second pass of clustering neatly divides the lower group into a motoric, primary somatosensory and a secondary somatosensory cluster. The limbic cluster divides into a MTL and a cingulate cluster, while the visual splits into a primary cluster, a temporal and a parietal cluster. Very cool.
Connectivity and readymade.
Experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
Erg (École de Recherche Graphique), Brussels, Arts Numériques-Atelier (New media art), 2016-2017.
Professors : Marc Wathieu.
Connectivity and readymade practice : experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
New media art course at Erg, Brussels.
PUNC: AS UC ("Unstable Connectivity") ALLOWS--
Mind's-Eye-Widening Seconds-@-A-Stretch: www.facebook.com/pages/PUNC-Parallel-Universe-News-Channe...
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BREAKING RAD: And You Thought 24/7 Cable News Was A Game Changer! Welcome To The NEXT ORDER OF MAGNITUDE: PUNC--
MULTI-EARTH RECEPTION, CATCHER-IN-THE-WRY!
Full Planetary Event, Bold-Stroke Culture, High, Mid-Brow & Pop,
Art, Science, Technology, Politics,
Celebrity Gossip--
RAW TRUE GRID--Whatever's In-The-Cone!
AHEAD OR ASIDE OF OUR TIME (Things ARCinfusing) Metaphor's Rainbow--
Prolific Reach, Protean Grasp, No Twist, No Turn Too Sharp:
A MOBIUS GRIP ON ALL-SKY NEWS: Playing Truth Like A HARP
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LATEST WORK-IN-PROGRESS---
PARALELL UNIVERSAL PRESENTS: "YOU AGAIN"
LOGLINE:
iPhone Re-Do Nerd Gets Stupefying Call From Earth2 Wife~Here 3 Yr Divorced, Still Wed "There"--They Figure It Out w/ Mutual Interrogation. APPLE ALL-IN TRIES To "Birth" Another Call #OriginalContentArtist #AppleTV #scifi #series
....."Stupid Joke Jill. Reminds Me Why Our Marriage ENDED..." "WTF Are You ON Jack?! Our 8th Anniversary Was Last WEEK!" Wrong # Will ROCK TWO WORLDS!....
QUANTUM TIMEINTANGLEMENT: GOOGLE In Now! Another Call, Best & Brightest, Minds Blown, Listening To One Brief Recording Repeatedly, Until.../*
Season One, Episode 2: "YOU AGAIN"
@nuascannan @ToscaMusk @JeffBezos @Variety_Cynthia
@Variety_TV @AmazonStudios @AppleTV @Netflix @HBO
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WHO KNEW?--} ALIEN ANONYMOUS:
For Now Unseen As Silence Itself
We Reach Through A Glass Darkly...
[Image: (Image Signal NA) --Reflection of Planet Earth
With A Visible Hurricane In Circle of A Camera Lens...]
On Alt-Earth 3 & 5, It's An In-The-Making MOVIE: (Just In--Here--A SERIES, Alt-Earth-7: REALITY) bit.ly/1dZKgGK
IN THE WORD WAS THE BEGINNING: bit.ly/1egsr3H
TRUTHY IN THE SKY w/ DIAMONDS: bit.ly/17k5Bof
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IN PRIVATE PRISM @: artistgeneral.blogspot.com
FACEBOOK PAGED @ PARALLEL UNIVERSAL PRESENTS ALIEN ANONYMOUS Movie.Series.Reality www.facebook.com/pages/Parallel-Universal-Presents-Alien-...
FLICKR POOLED @ PARALLEL UNIVERSAL PRESENTS: ALIEN ANONYMOUS www.flickr.com/groups/2227183@N25
ALL-IN FLOW-GO---FULL-SCREEN SLIDE SHOW: www.flickr.com/groups/2227183@N25/pool/show/
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HOLLYWOULD REPORTER: "...IN NO NEED OF POSTHUMOUS LIMELIGHT", MARK TWAIN graciously accepts cutting-room-floor-fall for his featured 'Dinner Party' in ALIEN ANONYMOUS as "First Contact"
Conceding that "smoke trumps mirrors--the gritty universality of the new scene better carries the day for humanity in this indeed majestically distinctive film...besides, I expect the opportunity to recur in a "sequel"--that's what you call it, right? or a "series" in that Pandora's Home Box Office Thing? Nitflix? Exactly! Whatever..."
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RATED VO (Vividly Original)--GUARANTEED: CHEESY-CLICHE, BUG-EYED-ALIEN-FREE!
"OVERRIDING" 30K+ Screens, In Collective Global Simultaneity, Disabling All In-House Communication, Phones, iPads, Etc., Offlined: For 12 UNEXPLAINED MINUTES--Followed By A Silent Text Message--ALIEN ANONYMOUS (PER SE, "INVISIBLY SILENT")
FIRST CONTACT:
A flawless "capture" of cave painters, clearly speaking a language never written, heard or imagined by modern humanity. Faces torchlit, concentration intense, momentarily broken: echos roll from a brief gale of laughter seemingly in response to something the wide-eyed youngest of the four says. A female voice is heard approaching, with another torch-bearing male, a girl and boy, appearing around 9 and 12 years old.
They have charcoal, feathers, moss in hand. The eldest, maybe mid-forties, inhales deeply, then exhales, as if releasing himself through the sidelong downstroke he stretched for, stubbled-feather brush clotted with pigment, the glistening flank of a larger-than-life bison stands suddenly clear, every stroke audible over the stone, you can hear the soft but distinct huff & puff of the woman's breath blowing soot through a reed into an outline of the girl's hand held to the cave wall. She whispers something in her ear, the girl grins. Then the boy's hand is placed. In theaters everywhere many swear to "experiencing" a smell of bittersweet smoke.
This Scene, both digitally and in film-stock, inexplicably "embeds" in the master copies of whatever movie it interrupted, as if it belonged there, allowing endless analysis in the weeks and months that follow, as well as the record uber-viral multi-billion online view count by midweek.
The day after First Contact--Easter Sunday (Christian speculation is especially tweaked, urgent & "confused") near-invisible & barely legible in the palm of a hand print, as if scratched there: what turns out to be GPS coordinates.
These are followed to an undiscovered cave in an unlikely location, three magnificent 'chambers', full of the most accomplished and oldest paleolithic art ever seen.
Dated at 44,000+ years old, computer analysis verifies that every stroke that glistened "live" onscreen in the A.A "OverRide" exactly matches the faded, long-dried pigment of the end result, just now discovered all these ages later, hence further dramatizing the non-human origin of what a now-forever-altered world recently witnessed--
gathered in motley clots of hundreds at a time, by the million: "full-spectrum humanity", having taken pains to sit together, receptively quiet in the dark, waiting for what the Big Screen will bring:
demonstrating why ALIEN ANONYMOUS chose this medium, founded in Hollywood, now, conveniently enough for their undisclosed purpose, among modern humanity's favorite pastimes.
Lines so long have never been seen before this, for anything playing. Because word is out--things are "happening" to people who sat through that first 12 minutes, who witnessed history made.
Some who entered their movie in wheelchairs..."walked" out.
(And Not because they didn't like it...)
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ALIEN ANONYMOUS TABOO-DEFYING PUBLIC TREATMENT PITCH IN PROGRESS:
Version 1.0 www.facebook.com/photo.php?fbid=372581036098838&set=a...
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WINGNUT NATION "BESIDE ITSELF" AT RECENT ALIEN ANONYMOUS "OFFER"
"How On EARTH Can This Be Happening?--
NOT A Leader, NOT Even Our Speaker Of The House "Allowed'! No, NO, It'll Be Some Liberal Weeny Hollywood DIRECTOR "Chosen"--By The A-CAD-UH-ME"--Like An OSCAR... www.flickr.com/photos/29101747@N07/8847416108/
For Solitary 'Face-Time' With This WHATEVER, WHOever, From WHERE-ever "Alien ANONYMOUS" Invasion--And THEN, Insult-To-INjury--Getting To "Choose" 3 Hours
From "The Quan-Tum Archives" Of Earth History! "Billions Of Years", Perfectly "Recorded". Do The MATH On THAT One, Folks! How Do Ya Get BILLIONS Out Of 6 THOUSAND Years?
YES, We HAVE Been "INVADED!" And They CAN, And HAVE, As We've All Seen And Heard TWICE Now, "OverRide" Twitter With Ill-Gotten Video-Streams Of "Power Corrupted"--
PRIVATE CONVERSATIONS Among MAKERS, Folks--Leaders, Movers And Shakers! So Now, So NOW--Anyone Who's "Somebody" Is Afraid To Speak FREELY! And What Does Washington DO About It? NOTHING! NADA! And Look, I Don't CARE If Some Precious Few Who Entered Theaters In Wheel-Chairs "Walked" Out After Seeing One Of These, These So-Called "OverRides" of Theirs...
The DEVIL Couldn't Do This? Read Your Scripture, Folks...
And BTW Have You SEEN The PR Roll-Out Of Hollywoodies Vying For This GOD-forsaken "DIRECTOR'S CUT" Thing?!--SHAMEless! Makes Chopped Liver Of An "Oscar". They Want It So Bad WE Can Taste It...'
.--Rush Limjones, Talk Radio Host
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Possibly In LIFE As "Real" On Two Alternate Earths, And Coming Soon As ART [High-Concept Global Blockbusters ALIEN ANONYMOUS] On Three Others--Each, According To "Preliminary" PUNC Feeds, With A Different Director! Alt-Earth-4's Kathryn Bigelow, AE2's Jon Stewart, And HERE [..."...Signal Lost..."...?Spielberg? Affleck?...] on.fb.me/13Ux9AO
HUMALIEN COLLABORATION--FROM GAIA'S BIRTH & BABY FOOTAGE TO NOW!--BREAKING: "DIRECTOR'S CUT" --FIRST (Real-Time-Live) CONTACT "OFFER" FROM ALIEN ANONYMOUS! --Over 6 Months, Academy Will Choose A Director, Who Will In Turn Select 3 Hours Of Planetary History From Galactic Archives--(All "Stored" In Uber-Resolution 3-D--Not In "Cloud" But 'Harnessed Singularity" [Access Normally A Thousand Years From "Unassisted" Human Ability]'
Paranicity, or Paralicity? Is It Real, Or Is It "Art"?! PUNC Is On It, Finding OUT: www.facebook.com/pages/PUNC-Parallel-Universe-News-Channe...
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...and a bird ...
Lo Sguardo Oltre - 64 fotografi per affrontare il cancro
A Look Beyond - 64 photographers to face cancer
for more information and a selection of photos have a look at the gallery Lo Sguardo Oltre / A Look Beyond by gherm
22nd January 2016., Zurich Kloten Airport., Switzerland
One of the visitors at Zurich during the World Economic Forum held at nearby Davos
The E-4B serves as the National Airborne Operations Center (NAOC) and is a key component of the National Military Command System for the President, the Secretary of Defense, and the Joint Chiefs of Staff (JCS). In case of national emergency or destruction of ground command and control centers, the aircraft provides a highly survivable command, control, and communications center to direct U.S. forces, execute emergency war orders, and coordinate actions by civil authorities. The conduct of E-4B operations encompasses all phases of the threat spectrum. Additionally, the E-4B provides outside the continental United States (OCONUS) travel support for the Secretary of Defense and his staff to ensure Title 10 command and control connectivity.
Further details about this aircraft can be found here ..
cross section: mammalian elastic cartilage
magnification: 40x
Technical Questions:bioimagesoer@gmail.com
Connectivity and readymade.
Experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
Erg (École de Recherche Graphique), Brussels, Arts Numériques-Atelier (New media art), 2016-2017.
Professors : Marc Wathieu.
Node size is set by betweenness centrality, color by 3d location in brain. Data from www.biological-networks.org/?page_id=25 The frontal lobe is to the right (green and turquoise), the parietal and occipital lobe to the left (blue and purple), and the temporal lobe to the top (oranges and browns).
Connectivity and readymade.
Experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
Erg (École de Recherche Graphique), Brussels, Arts Numériques-Atelier (New media art), 2016-2017.
Professors : Marc Wathieu.
On some level, don't you feel it? That as humans with a soul, we're all connected in ways we don't really even understand.
Connectivity and readymade.
Experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
Erg (École de Recherche Graphique), Brussels, Arts Numériques-Atelier (New media art), 2016-2017.
Professors : Marc Wathieu.
More long lens imagery from Sherwood Forest.
The previous image was an abstract of the three middle trees.
I spent around 20 minutes in this location, as the front on light was helping bring out the majesty of the textures of the bark of these silver birches.
It gave me that moment of smiling inside, contentedly, the fact of being there, drinking in the atmosphere provided by nature in all its glory. And photographically, the contentment of having all the pieces just fall on to your lap as a gift. #Perfect.
The 4’x4’ acrylic print, ‘POWER & CONNECTIVITY’ features a photo collage of hardware remnants collected from the Madison Brass Works prior to its renovation into the Goodman Brassworks Facility.
These outlets, fuse boxes, and switches routed electricity throughout the building, enabling all of its manufacturing processes. The use of these on/off buttons and control dials spanned the first hundred years of the building’s history, when it functioned as a foundry where brass castings and fittings were made.
The work acknowledges the decades of industrial labor that took place at this historic site. The display also includes a didactic text panel and one of the original start/stop button boxes. A rich symbol of power and connectivity, the image serves as a reminder of how integral these two elements are to the continued success and vitality of our community.
On display as part of the GCC Brassworks permanent collection, this artwork communicates a piece of Madison’s history and helps beautify a highly-trafficked community space.
Created by Angela Richardson for the Goodman Community Center, Brassworks Facility, 214 Waubesa Street, Madison, Wisconsin, U.S.A. Permanently installed December 2018.
Funded by Schenk-Atwood-Starkweather-Yahara Neighborhood Association and a Madison Arts Commission 2017/2018 Individual Fellowship Award with additional funds from the Wisconsin Arts Board.
Connectivity and readymade.
Experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
Erg (École de Recherche Graphique), Brussels, Arts Numériques-Atelier (New media art), 2016-2017.
Professors : Marc Wathieu.
Connectivity and readymade practice : experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
New media art course at Erg, Brussels.
cross section:
magnification: 400x
Berkshire Community College Bioscience Image Library
Technical Questions:bioimagesoer@gmail.com
The more connected an individual becomes, the more able they are to learn. The more they are able to learn, the more possibilities they will have.
connectivity & community
Copyright 2009 M. Fleur-Ange Lamothe
"The exhibition runs from November 29th, 2009 until January 22nd, 2010.
The opening reception is November 29th, 2009, from 1pm to 4pm
With eight artists across Canada, the Glenhyrst Art Gallery in Brantford, located next to Six Nations of the Grand River Territory and home to a large South Asian community, is the perfect backdrop for the exhibition “Crossing Lines: An Intercultural Dialogue”.
South Asians and the First Peoples’ communities epitomize the complexities of co-existence between Indigenous and non-Indigenous communities in Canada. While both communities are referred to as “Indians” their experiences and histories of racial and socio-economic marginalization differ widely.
Roy Caussy, Bonnie Devine, Ali Kazimi, Afshin Matlabi, Yudi Sewraj, Greg Staats, Ehren Bear Witness Thomas and Jeff Thomas reckon with the experience of loss and displacement and reflect on the ideology of reconciliation. The art works in the exhibition articulate the importance of engaging in dialogues with one another to better understand the multiple perspectives and histories that make up the contemporary Canadian society.
Jeff Thomas, artist and curator speaks about his landmark collaboration with Ali Kazimi on the film Shooting Indians: A Journey With Jeff Thomas, which is featured in the exhibition: Since Ali and I first met in 1984 and began our documentary road trip, the stimulant of identity politics has continued to evolve and some twenty five years later it is good to see that the film resonates with the public and new exhibition projects like "Crossing Lines: An Intercultural Dialogue"."
excerpt from Stephen Bulger Gallery website
This was one of three tours offered at the Meeting of the Minds 2012 in San Francisco, CA.
Description:
Tour #1: Arts, Innovation and Sustainability Tour of Central San Francisco
This 1.5 hour walking tour will be lead by James Hanusa, Green Economy Advisor for Stakeholder Forum and New Initiatives for Burning Man Project.
The tour will start at the award winning, newly built San Francisco Public Utilities Commission headquarters, key features include onsite clean energy generation, 100 percent waste water treated on site and advanced daylight harvesting.
The electric vehicle pilot project at City Hall will be the next stop with both car share and city vehicles in the program. We will walk through the planned Resource Conservation District at Civic Center on our way to UN Plaza passing the Federal Building, which is the first naturally ventilated office building on the West Coast since the invention of air conditioning. The building is also an example of how building design can help slash emissions of greenhouse gases.
We will proceed down the emerging arts and innovation district of Central Market Street visiting multiple local arts groups such as art and technology collective, Gray Area Foundation for the Arts, and cultural avant garde organization, Burning Man Project. The 5M innovation complex will be the next stop with short interviews with developer Forest City and leaders from resident organizationTechShop, Hub Soma and Intersection for the Arts. Our tour will continue through the Yuerba Buena Gardens area including the Center for the Arts, the SF Museum of Modern Art, including a quick chat with the W Hotel Manager about his building, which is one of the first LEED Silver for existing buildings in the world.
Our final stop is the gallery at the San Francisco Planning + Urban Research Association‘s LEED Silver headquarters.
More information: cityminded.org/events/sanfrancisco/pre-conference-tours